Book Review: Let Me Take You Down

John Lennon wrote “Strawberry Fields Forever” in Almería, Spain, in fall 1966, and in November, in response to that song, Paul McCartney wrote “Penny Lane” at his home in London. A culmination of what was one of the most life-altering and chaotic years in the Beatles’ career, these two songs composed the 1967 double A-side 45 rpm record that has often been called the greatest single in the history of popular music and was, according to Beatles producer George Martin, “the best record we ever made.”

Book Review: The Needle and the Lens

What movie do you think of when you hear “The Sound of Silence”? Better yet, what song comes to mind when you think of The Graduate? The link between film and song endures as more than a memory. It is, in fact, a sort of cultural symbiosis that has mutually influenced movies and pop music, a phenomenon Nate Patrin tracks through the past fifty years, revealing the power of music in movies to move the needle in popular culture.

These commentaries run the gamut from comedic irony to cheap-thrills excitement to deeply felt drama, all of which Patrin examines in pairings such as American Graffiti and “Do You Want to Dance?”; Saturday Night Fever and “Disco Inferno”; Apocalypse Now and “The End”; Wayne’s World and “Bohemian Rhapsody”; and more.