Book Review: Don't Stop

On January 1, 1975, struggling young singer-songwriter Lindsey Buckingham was invited to join the veteran blues band Fleetwood Mac. He agreed on the condition that his girlfriend, an equally unknown vocalist named Stevie Nicks, also be included. Within two years, Rumours was born—and went on to become one of the most popular albums of all time.

Almost five decades later, it is the only classic rock record that still attracts young listeners and continues to top sales and streaming charts. In Don’t Stop, award-winning journalist and bestselling author Alan Light unravels the enduring allure of Fleetwood Mac’s monumental album. Since its 1977 release, Rumours has captivated generations with its unparalleled blend of romantic turmoil and musical genius. Light explores the album’s transformation from a pop phenomenon to a cultural touchstone, and its unique ability to remain relevant in today’s rapidly changing music scene.

Book Review: The Holy or the Broken

Today, “Hallelujah” is one of the most-performed rock songs in history. It has become a staple of movies and television shows as diverse as Shrek and The West Wing, of tribute videos and telethons. It has been covered by hundreds of artists, including Bob Dylan, U2, Justin Timberlake, and k.d. lang, and it is played every year at countless events—both sacred and secular—around the world.

Yet when music legend Leonard Cohen first wrote and recorded “Hallelujah,” it was for an album rejected by his longtime record label. Ten years later, charismatic newcomer Jeff Buckley reimagined the song for his much-anticipated debut album, Grace. Three years after that, Buckley would be dead, his album largely unknown, and “Hallelujah” still unreleased as a single. After two such commercially disappointing outings, how did one obscure song become an international anthem for human triumph and tragedy, a song each successive generation seems to feel they have discovered and claimed as uniquely their own?