Book Review: Vex, Hex, Smash, Smooch - Let Verbs Power Your Writing

Great sentences pivot on great verbs. In Vex, Hex, Smash, Smooch, Constance Hale, best-selling author of Sin and Syntax, zeroes in on verbs that make bad writing sour and good writing sing. Each chapter features four sections: “Vex” tackles tough syntax, “Hex” debunks myths about verbs, “Smash” warns of bad writing habits, and “Smooch” showcases exemplary writing.

A veteran journalist and writing teacher, Hale peppers her advice with pop-culture references and adapts her expertise for writers of every level. With examples ranging from the tangled clauses of Henry James and the piercing insight of Joan Didion to the punchy gerunds of the Coen brothers and the passive verbs of CEOs on trial, this book offers a reenergized take on the “little despot of the sentence.”

Book Review: Life's Short, Talk Fast

Fast-talking, warm-hearted, and endlessly rewatchable, Gilmore Girls has bonded real-life mothers and daughters since 2000, when its iconic pilot introduced us to Lorelai, Rory, and their idyllic Connecticut town of Stars Hollow. More than twenty years later, it has become one of the most-streamed TV shows, ever.

In an anthology as intimate and quick-witted as Gilmore Girls itself, best-selling author Ann Hood invites fifteen writers to investigate their personal relationships to the show. (“It’s a show? It’s a lifestyle. It’s a religion.”) Joanna Rakoff considers how Emily Gilmore helped her understand her own mother; Sanjena Sathian sees herself—and Asian American defiance—in Lane Kim; Freya North connects with her son through the show; Francesco Sedita discovers an antidote to pandemic loneliness; Nina de Gramont offers a comic ode to the unreality of Stars Hollow. For anyone who identifies as Team Logan, Team Jess, or even Team Dean, Life’s Short, Talk Fast reveals what Gilmore Girls tells us about ourselves—and why it matters.

Book Review: American Comics - A History

Comics have conquered America. From our multiplexes, where Marvel and DC movies reign supreme, to our television screens, where comics-based shows like The Walking Dead have become among the most popular in cable history, to convention halls, best-seller lists, Pulitzer Prize–winning titles, and MacArthur Fellowship recipients, comics shape American culture, in ways high and low, superficial, and deeply profound.

In American Comics , Columbia professor Jeremy Dauber takes readers through their incredible but little-known history, starting with the Civil War all the way into the twenty-first century, taking in the grim and gritty Dark Knights and Watchmen alongside the brilliant rise of the graphic novel.

Dauber’s story shows not only how comics have changed over the decades but how American politics and culture have changed them. Throughout, he describes the origins of beloved comics, champions neglected masterpieces, and argues that we can understand how America sees itself through whose stories comics tell. Striking and revelatory, American Comics is a rich chronicle of the last 150 years of American history through the lens of its comic strips, political cartoons, superheroes, graphic novels, and more.

Book Review: This Is What It Sounds Like

A legendary record-producer–turned–brain-scientist explains why you fall in love with music.

When you listen to music, do you prefer lyrics or melody? Intricate harmonies or driving rhythm? The “real” sounds of acoustic instruments or those of computerized synthesizers? Drawing from her successful career as a music producer (engineering hits like Prince’s “Purple Rain”), professor of cognitive neuroscience Susan Rogers reveals why your favorite songs move you. She explains that we each possess a unique “listener profile” based on our brain’s reaction to seven key dimensions of any record: authenticity, realism, novelty, melody, lyrics, rhythm, and timbre.