Blondie - Eat To The Beat

Welcome to another edition of Seventies Sunday.

This month marks the thirty-fifth anniversary of Eat To The Beat, the fourth studio album from Blondie. This 1979 release spent fifty-one weeks on the US Billboard Album chart, peaking at number 17. Around the world, it reached number 23 in Germany, number 19 in Austria, number 16 in the Netherlands, number 9 in Australia, number 6 in Canada and Norway, number 2 in Sweden, and number 1 in the UK.

Blondie - Parallel Lines (35th anniversary)

Today (September 23rd) marks the thirtieth anniversary of the release of Blondie's Parallel Lines, an album that helped them crossover to a whole new audience.

Click here for the complete review of this 1978 album.

Blondie - Plastic Letters

Happy sixty-second birthday today (January 5th) to American guitarist Chris Stein.

Between Blondie’s self-titled debut album in 1977 and their third album Parallel Lines in the fall of 1978 (click here and here for each of those two reviews respectively) came their February 1978 sophomore release Plastic Letters. This album went to number 72 on the US Billboard Hot 200, number 9 in Germany and number 10 in the UK (the later country it had reached Platinum status).

Blondie - Blondie

Welcome to another edition of Seventies Saturday.

Guitarist Chris Stein had been playing in bands in New York City since 1973, which is when he met singer Debbie Harry, a former waitress and Playboy bunny. They went from the Stilettos to Angels and the Snakes. That later band eventually changed their name to Blondie in late 1975. Their self-titled debut album was released on an independent label in December of 1976 and enjoyed some moderate success in Australia (number 14 on the charts) and the UK (number 75). A year later, they signed with Chrysalis Records and Blondie was re-released.

Blondie - Parallel Lines

Welcome to another edition of “Seventies Saturday”.

September 23rd of 1978 saw the release of Parallel Lines, the third studio album from the American new wave band Blondie. While the album was a top-10 seller in the US (it peaked at number 6), it was over in the UK where the album would achieve its highest status - a number 1. Besides being one of the band’s best-selling albums (over 20 million copies sold worldwide), it was also a critical favorite as well. Rolling Stone magazine ranked it number 140 on their 500 Greatest Albums of All Time list.